10/04/2011-10:04:35
Le matos de référence des grands ingénieurs du son
Il m'arrive de m'interroger sur ce qu'utilisent les ingénieurs du son; pas mal utilisent du petit matos pour les écoutes de proximité ou font même leur mixage au casque.
Voilà ce que j'ai trouvé sur Bob Ludwig, dont j'aime très souvent le travail:
(source: http://www.musictap.net/Interviews/Ludwi...rview.html):
"Bob Ludwig: Speaking for myself, when I started my own business, Gateway Mastering & DVD, I was finally able to have what I think is the ultimate new technology, a great acoustic, a listening room with what are, to me, the world's best and most accurate speakers, my unique serial #1 and #2 Eggleston Works "Ivy,ƒ˘ speakers (check their web site for information). I use bridged Cello Performance Mark II amplifiers capable of producing something like 3,000 watt peaks. I use the new utterly amazing Transparent Audio Opus MM Speaker cables and even my patch cords are made using Transparent Audio cable. Listening in my room is a dream and it is often easy as pie to hear an older project and know what to correct immediately.
The other main technology is intense investigation of superior analog tape machine playback. We have ¨∫,ƒ˘, ¨?,ƒ˘ and 1,ƒ˘ stereo machines with Ampex Class-A electronics, Aria Discrete Class-A electronics and Tim DeParavicini's Esoteric Audio Research tube electronics and a set of Cello tape electronics as well. Choosing the best electronics for the particular job can often get you half way to your destination before moving a knob."
Voilà ce que j'ai trouvé sur Bob Ludwig, dont j'aime très souvent le travail:
(source: http://www.musictap.net/Interviews/Ludwi...rview.html):
"Bob Ludwig: Speaking for myself, when I started my own business, Gateway Mastering & DVD, I was finally able to have what I think is the ultimate new technology, a great acoustic, a listening room with what are, to me, the world's best and most accurate speakers, my unique serial #1 and #2 Eggleston Works "Ivy,ƒ˘ speakers (check their web site for information). I use bridged Cello Performance Mark II amplifiers capable of producing something like 3,000 watt peaks. I use the new utterly amazing Transparent Audio Opus MM Speaker cables and even my patch cords are made using Transparent Audio cable. Listening in my room is a dream and it is often easy as pie to hear an older project and know what to correct immediately.
The other main technology is intense investigation of superior analog tape machine playback. We have ¨∫,ƒ˘, ¨?,ƒ˘ and 1,ƒ˘ stereo machines with Ampex Class-A electronics, Aria Discrete Class-A electronics and Tim DeParavicini's Esoteric Audio Research tube electronics and a set of Cello tape electronics as well. Choosing the best electronics for the particular job can often get you half way to your destination before moving a knob."
Cayin CDT 17, PP el84 CR Kalypso ou 211SE Uesugi replica, Onken W (Ciare PW388), JBL 2392/2490H, B&C DE900 ou 18S nd2080A sur pav Megaton C9060 ou autres
(+caissons infra 4x55cm pour la déco...)
(+caissons infra 4x55cm pour la déco...)