Les enregistrements qui se rapprochent le plus du concert sont, par exemple, en jazz, produits par le label CIMP: http://www.cimprecords.com/
http://www.cimprecords.com/about/
Aucune compression ni limitation:
Je recommande le groupe TrioX assez bonne entrée en matière et abordable. Le Live On Tour 2008 par exemple.
http://www.cimprecords.com/about/
Aucune compression ni limitation:
Citation :CIMP records are digitally recorded live to two tracks. Digital recording allows for a vanishingly low noise floor and tremendous dynamic range. There is no compression, homogenization, eq-ing, post-recording splicing, mixing, or electronic fiddling with CIMP performances. Compressing the dynamic range is what limits the "air" and life of many recordings. Our recordings capture the full dynamic range one would experience in a live concert; many of them have a dynamic swing of over 85dB.
We set our levels so that the maximum signal will not overload the recorder. This means that the average level will be much lower than you are used to. If you set your levels during the loudest passages to be reasonably loud, the rest will fall into place. You may find passages where the signal is almost inaudible. Resist the temptation to turn the volume up; this is the way it sounded when it was recorded and was the dynamic intention of the musicians. In this regard these recordings are demanding. The quieter your system and the lower the noise floor of the listening area the more impressive they will be.
Je recommande le groupe TrioX assez bonne entrée en matière et abordable. Le Live On Tour 2008 par exemple.
Systemdek IIX avec bras Zeta, DL-103, Hiraga 2, RIAA à tubes