10/03/2025-21:05:00
(Modification du message : 10/03/2025-21:05:56 par jeanrichard.)
RE: Kits Kaneda
Voici la conclusion de l'article au sujet de ce n° 297 : " Son de l'ampli "
This time, we listened to mainly symphonies by Brückner, Rachmaninoff, and Shostakovich using the Onken + Altec three-way network system.
This unit has the power to express performances in detail.
It has a strong resonance and vividly reproduces the performers' heartfelt performance. It accurately expresses the tone and performance of each part, and at the same time, it has a strong ability to reproduce the sounds that blend together in the space as overwhelming sound pressure.
The sounds are not simply physical, but seem to be living creatures full of emotion. Even though I know what the music will be like next, I still feel anxious and excited every time I hear it. In Bruckner, the contrast between strings and brass instruments is beautifully reproduced, and the woodwind melodies that alternate one after another float in the space. In Rachmaninoff's later years, emotions of anger and impatience explode like the wind. Shostakovich's mysterious movements are like the arrival of a world that seems not of this world.
As always, even when trying to calmly evaluate the sound, one is inevitably drawn in by the sound. Conversely, the stronger the power of the amplifier to draw one in, the closer it is to the goal of being a music reproduction amplifier.
This unit is clearly an amplifier that has come several steps closer to that goal.
This time, we listened to mainly symphonies by Brückner, Rachmaninoff, and Shostakovich using the Onken + Altec three-way network system.
This unit has the power to express performances in detail.
It has a strong resonance and vividly reproduces the performers' heartfelt performance. It accurately expresses the tone and performance of each part, and at the same time, it has a strong ability to reproduce the sounds that blend together in the space as overwhelming sound pressure.
The sounds are not simply physical, but seem to be living creatures full of emotion. Even though I know what the music will be like next, I still feel anxious and excited every time I hear it. In Bruckner, the contrast between strings and brass instruments is beautifully reproduced, and the woodwind melodies that alternate one after another float in the space. In Rachmaninoff's later years, emotions of anger and impatience explode like the wind. Shostakovich's mysterious movements are like the arrival of a world that seems not of this world.
As always, even when trying to calmly evaluate the sound, one is inevitably drawn in by the sound. Conversely, the stronger the power of the amplifier to draw one in, the closer it is to the goal of being a music reproduction amplifier.
This unit is clearly an amplifier that has come several steps closer to that goal.